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The Idiom of Urban Display

Architectural Relief Sculpture in the Late Roman Villa of Chiragan (Haute-Garonne)

Bibliographic Data

ID4737203
AuthorsSarah Elizabeth Beckmann, Sarah Beckmann (0000-0001-9504-1638, University of California, Los Angeles, corresponding author)
Year2020
Volume124
Issue1
Pages133-160
Publication date2020-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAmerican Journal of Archaeology (JOURNAL)
Journal identifiersISSN: 0002-9114 • E-ISSN: 1939-828X
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.3764/aja.124.1.0133
OpenAlexW2996373489
LanguageEN
Citations received2
References cited9

This article presents an analytical study of the Late Antique sculptural relief program at the Roman villa of Chiragan (Martres-Tolosane, Haute-Garonne), which includes a series of mythological panels and a portrait in relief. Although Chiragan's reliefs have long been associated with Aphrodisian workshops, this study marks them as products of a local workshop, based on stylistic traits and recent scientific analyses of the marble. Using comparanda found in a series of Late Antique portraits from Chiragan, I date the reliefs to the later fourth or early fifth century CE. I also consider evidence for an honorific relief portrait at the villa that, together with the program of architectural relief sculpture, makes explicit reference to a distinctly urban visual rhetoric. In conclusion, I argue that Chiragan's reliefs actively court association with the urban sphere, which in turn suggests the increasing importance of the villa as a sociopolitical locus in the Late Roman West.1

Antique · Art · Art history · Portrait · Rhetoric · Sculpture · Visual arts · Ancient and Medieval Archaeology Studies · Ancient Mediterranean Archaeology and History · Classical Antiquity Studies · History · Philosophy

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Unique citing works2
Citations per year0,67
Citation span2023 - 2024 (2)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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