The Fabric of the World

Deleuze's attitude towards fetishistic desire reveals important ethical commitments found throughout his philosophical corpus, bridging the gap between works written alone and those co-written with Félix Guattari. This essay traces the function of the “scene” in Deleuze's writings from Coldness and Cruelty through Thousand Plateaus to Cinema 2, showing its kinship with the concepts of “flesh” and “montage” in Merleau-Ponty and Lacan, and bringing Deleuze into dialogue with feminist and queer accounts of fetishistic sexuality

Aesthetics · Art · Assemblage (archaeology · Cruelty · Death drive · Deleuze and Guattari · Fetishism · Freudian slip · Generative grammar · Human sexuality · Kinship · Linguistics · Literature · Logos Bible Software · Movie theater · Psychoanalysis · Queer · Sociology · Anthropology · Art, Politics, and Modernism · Cinema and Media Studies · French Literature and Critical Theory · Psychology · Gender Studies · History · Philosophy

• Recovering Difference in the Deleuzian Dichotomy of Masochism-Without-Sadism

  Alison Downham Moore, Alison Moore•Angelaki•2009

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• A thousand plateaus

  Félix Guattari, Gilles Deleuze•A thousand plateaus•1987

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• The Problem of the Fetish, I

  Open Access•William Pietz•Res: Anthropology and Aesthetics•1985

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• Mainstreaming Kink

  Margot D Wei, Margot Wei et al.•Journal of Homosexuality•2006

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• Cinema I

  Gilles Deleuze•Cinema I•1986

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• Faux Amis

  Wendy Grace•Critical Inquiry•2009

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