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Prayin' for queer times

Choir Boy and enactments of transient performance

Bibliographic Data

ID4741150
AuthorsMetzger (0000-0001-7588-2624, UCLA, USA, corresponding author), Kimberly C Welch (0000-0002-6534-0837, University of Missouri–St. Louis)
Year2021
Volume33
Issue1-2
Pages3-14
Publication date2021-02-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCultural Dynamics (JOURNAL)
Journal identifiersISSN: 0921-3740 • E-ISSN: 1461-7048
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/0921374020934510
OpenAlexW3036657833
LanguageEN
References cited2

Prayin' for Queer Times: Choir Boy and Enactments of Transient Performance" serves as an introduction to this special issue of Cultural Dynamics on Transient Performance. Using a young, queer black man's coming-of-age story at an African American all-boys prep school as a point of departure, the article elaborates transient performance as a new analytic that can account for the intersections of transnational movement, performance, geography, black and refugee peoples, and fugitivity as previewed in Tarell Alvin McCraney's play, Choir Boy. The authors weave together queer theory and black feminist theory to articulate the spatiotemporal dimensions of transient performance. This theorization is followed by a brief synopsis of each contributor's article. "Prayin' for Queer Times" closes with a return to Choir Boy, specifically the sonic movements of the protagonist and the ways in which his performance gestures to marginalized peoples' everyday practices of survival. It is the editors' and contributors' hope that this issue will spark conversation and action that helps lead to the fruition of more inhabitable, and thus queer, geographies

Aesthetics · Art · Choir · Conversation · Pedagogy · Political science · Queer · Refugee · Sociology · Visual arts · Communication · Computer Science · Critical Race Theory in Education · Gender Studies · Gender, Feminism, and Media · Law · Music History and Culture

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Citation velocityhistorical
Highly citedNo

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