De l'Ombilic aux limbes
La figure de Mélusine dans l'œuvre de Claude Louis-Combet
Bibliographic Data
| ID | 4741488 |
|---|---|
| Authors | Stéphanie Boulard (corresponding author) |
| Year | 2002 |
| Volume | 126 |
| Issue | 2 |
| Pages | 81-95 |
| Publication date | 2002-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Littérature (JOURNAL) |
| Journal identifiers | ISSN: 0047-4800 • E-ISSN: 1958-5926 |
| Publisher | PERSEE Program (PUBLISHER) |
| DOI | 10.3406/litt.2002.1757 |
| OpenAlex | W2030174162 |
| Language | EN |
From Umbilicus to Limbo2: the Shadow of the Fairy The mirrors in Claude Louis-Combet's works figure the double reflections in which communication is lost, but also the way in which the voyeuristic eye seeks the mirror-representation of female sexuality - the masculine eye as speculum. But the speculum engenders monsters or imagines what it sees as engendering monsters - re-encountering the mirror as figure for the maternal waters out of which spring the horrors of the imagination
Art · Art history · Humanities · Diverse Cultural and Historical Studies · Psychoanalysis and Psychopathology Research
| Highly cited | No |
|---|