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The "Dark Continent" Goes North

An Exploration of Intercultural Theatre Practice through Handspring and Sogolon Puppet Companies' Production of Tall Horse

Bibliographic Data

ID4742755
AuthorsYvette Hutchison (0000-0002-3199-0305, University of Warwick, corresponding author)
Year2010
Volume62
Issue1
Pages57-73
Publication date2010-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTheatre Journal (JOURNAL)
Journal identifiersISSN: 0192-2882 • E-ISSN: 1086-332X
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/tj.0.0335
OpenAlexW2052696333
LanguageEN
Citations received3
References cited7

This essay explores the complexities of intercultural interaction, specifically in the context of globalization. These interactions involve not only contact with, but also negotiation of cultural representations. The debates about the processes involved in such encounters are complex and highlight tensions among aesthetics, ideology, the ethics of production, voice, and authorship. The essay begins by outlining some of the key debates and issues specifically for theatre; in particular, it looks at the tension between Brook's transcultural approach to intercultural theatre and Rustom Bharucha's insistence on contextualized and historicized interactions. These theoretical positions are explored against the specific example of Tall Horse (2005), an intercultural production by the South African Handspring Puppet Company, the Malian Sogolon Puppet Company, a choreographer from Benin, and a scriptwriter from New York. The essay examines both the ideological issues raised in the text and the practical issues of cross-cultural collaboration and interaction to suggest an approach that may mediate between binaries that seem to dominate cultural interaction

Art · Economics · Production (economics · Visual arts · Artistic and Creative Research · Cultural Industries and Urban Development · Theatre and Performance Studies

  • Introduction

    Open Access•Charlotte McIvor•Interculturalism and Performance…•2019

  • “Zones of Occult Instability”

    Open Access•Yvette Hutchison•Interculturalism and Performance…•2019

  • South Africa

    Open Access•Crystal Warren•The Journal of Commonwealth…•2011

  • Freak Show

    Robert Bogdan•Freak Show•1990

  • Visibly Invisible

    Yvette Coetzee•South African Theatre Journal•1998

  • The Dramatic Touch of Difference

    Benito Ortolani, Erika Fischer-Lichte et al.•Asian Theatre Journal•1992

  • Theatre and the World

    Mary Jo Meg Gentes, Rustom Bharucha•Asian Folklore Studies•1995

  • Bamana and Bozo Puppetry of the Segou Region Youth Societies

    Patrick R Mcnaughton, Mary Jo Arnoldi•African Arts•1980

  • Theatre and the World

    Joe Tompkins, Joanne Tompkins et al.•Theatre Journal•1994

  • The Politics of Theory

    Andrew Pickering•Journal of Cultural Economy•2009

Unique citing works3
Citations per year0,2
Citation span2011 - 2019 (9)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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