Incans, Liberators, and Jungle Princesses
The Development of Nationalism in the Art Music of Ecuador
Bibliographic Data
| ID | 4753393 |
|---|---|
| Authors | John L Walker (corresponding author) |
| Year | 2016 |
| Volume | 37 |
| Issue | 1 |
| Pages | 1-33 |
| Publication date | 2016-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Latin American Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0163-0350 • E-ISSN: 1536-0199 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.7560/lamr37101 |
| OpenAlex | W2418177063 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
From its first appearance more than a hundred years ago, musical nationalism in Ecuadorean art music has developed in response to diverse influences and factors. At times, these expressions have been constructed around various notions of identity and consequently have been directed at different elements of society. Through large-scale compositions, such as symphonic works, operas, and ballets, it is possible to observe this development more clearly and to identify elements of national identity. In this article I seek to create a framework for understanding this development by examining such large-scale works and through a detailed reading of testimonial evidence both written and spoken by Ecuadorean musicians
Aesthetics · Archaeology · Art · Jungle · Literature · Musical · Nationalism · Political science · Symphony · Diverse Music Education Insights · Diverse Musicological Studies · History · Law · Music History and Culture
| Unique citing works | 1 |
|---|---|
| Citations per year | 1 |
| Citation span | 2025 - 2025 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |