Musical Form and Fundamental Structure
An Investigation of Schenker's 'Formenlehre
Bibliographic Data
| ID | 4754834 |
|---|---|
| Authors | Charles J Smith (corresponding author) |
| Year | 1996 |
| Volume | 15 |
| Issue | 2/3 |
| Pages | 191 |
| Publication date | 1996-07-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Music Analysis (JOURNAL) |
| Journal identifiers | ISSN: 0262-5245 • E-ISSN: 1468-2249 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/854065 |
| OpenAlex | W2313046685 |
| Language | EN |
| Citations received | 8 |
Art · Literature · Musical · Musical form · Communication · Music Technology and Sound Studies · Musicology and Musical Analysis · Neuroscience and Music Perception · Psychology
Using Galant Schemata as Evidence for Universal Darwinism
Memesatz contra Ursatz
Resolving Tensions between Outer Form and Inner Form in Fugue
Song and the Music of Poetry
Schoenberg contra Schenker contra Schoenberg
Form and Voice Leading in Early Beatles Songs
Continuous Question-Answer Pairs
Performance, Grouping andSchenkerianAlternativeReadings inSomePassages fromBeethoven's'Lebewohl' Sonata
| Unique citing works | 8 |
|---|---|
| Citations per year | 0,44 |
| Citation span | 2008 - 2021 (14) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 8 |