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Prose and Poetry

Wimsatt's Verbal Icon and the Romantic Poetics of New Criticism

Bibliographic Data

ID4755626
AuthorsHarris Friedberg (corresponding author)
Year2005
Volume26
Issue1
Pages1-37
Publication date2005-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePoetics Today (JOURNAL)
Journal identifiersISSN: 0333-5372 • E-ISSN: 1527-5507
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/03335372-26-1-1
OpenAlexW2045955644
LanguageEN
References cited10

Foremost theorist of the New Criticism, W. K. Wimsatt, inherits from the Romantics the desire to differentiate poetry from prose on essentialist rather than formal grounds. In I. A. Richards, a new antithesis between the symbolic or referential use of language and its emotive use replaces the old one of prose and poetry. Wimsatt also recognizes two kingdoms of discourse, but for him, a formal or functional difference-the complementary distribution of the logical and counterlogical figures-confirms that poetry and prose really do differ: "the difference between prose and verse is the difference between homoeoteleuton and rhyme." Neither prose nor poetry, however, observes the divide between logical and counterlogical figures with anything like the regularity claimed by Wimsatt. Examples of rhyme in prose and homoeoteleuton in verse weaken his case, as does the example of John Milton's enjambed blank verse, with the sense variously drawn out, which emulates the periodic syntax of Milton's own prose. The attempt to differentiate the logical language of prose from the emotive, counterlogical language of poetry, which the New Critics silently adopt from the Romantics, fails, and, historically, the project of finding the essential difference gives way to Roman Jakobson's notion of the poetic function, dominant in poetry but available to prose as well

Art · Emotive · Epistemology · Linguistics · Literature · Poetics · Poetry · Rhyme · Lexicography and Language Studies · Literature, Language, and Rhetoric Studies · Media, Communication, and Education · Philosophy

  • Verbal Style

    Open Access•W K Wimsatx•PMLA/Publications of the Modern…•1950

  • The Romanticism of I. A. Richards

    Richard Foster, Richard S Foster•ELH•1959

  • The Letter as Cutting Edge

    G C Spivak•Yale French Studies•1977

  • Rhyme and Cognitive Poetics

    Reuven Tsur•Poetics Today•1996

Citation velocityhistorical
Highly citedNo

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