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Beautiful Evil

Pandora and the Athena Parthenos

Bibliographic Data

ID4760950
AuthorsJeffrey M Hurwit (corresponding author)
Year1995
Volume99
Issue2
Pages171-186
Publication date1995-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAmerican Journal of Archaeology (JOURNAL)
Journal identifiersISSN: 0002-9114 • E-ISSN: 1939-828X
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.2307/506338
OpenAlexW2333400098
LanguageEN
Citations received3

The depiction of the Birth of Pandora on the base of the statue of Athena Parthenos has not received all the attention it deserves. This study attempts to place the meaning and function of the myth in the context of both the Parthenon sculptural program as a whole and the Athenian civic ideologies of patriarchy and autochthony. It suggests that the scene operated on several different levels (some of them mundane), but that the relationship of the mortal parthenos below to the divine Parthenos above was essentially one of ambiguity, even dissonance. Pandora may, in fact, have functioned as an "Anti-Athena," and the image of her creation may have reinforced the highly gendered social and political realities of fifth-century Athens

Ambiguity · Archaeology · Art · Art history · Context (archaeology · Depiction · Epistemology · Ideology · Literature · Meaning (existential · Mythology · Patriarchy · Political science · Politics · Sociology · Statue · Classical Antiquity Studies · Gender Studies · History · Law · Philosophy

  • Pandora as a Beautiful Woman and a Object of Desire

    Open Access•Jerzy Krawiec•Classica Cracoviensia•2022

  • The Priority of Pots

    Open Access•Deborah Steiner•Dossier : Mères et maternités en…•2013

  • Relatos de los orígenes en la Atenea Parthenos

    Open Access•Lorena Valeria Abramovich•Eikon / Imago•2016

Unique citing works3
Citations per year0,23
Citation span2013 - 2022 (10)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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