Memory, Knowledge, and Experience

North Koreans in Britain Reflect on the Music and Dance of Their Distant Homeland

Bibliographic Data

ID4763703
AuthorsKeith Howard (0000-0002-3892-4685, SOAS University of London), Cholong Sung (SOAS University of London)
Year2023
Volume55
Issue2
Pages95-120
Publication date2023-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueYearbook for Traditional Music (JOURNAL)
Journal identifiersISSN: 0740-1558 • E-ISSN: 2304-3857
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/ytm.2023.6
OpenAlexW4387777066
LanguageEN
References cited31

This article reflects on the knowledge and experience of North Korean music and dance among North Koreans who now reside in Britain. In particular, we explore their memories from before they escaped the isolated so-called socialist paradise. North Koreans mostly arrived in Britain between 2004 and 2008; they arrived as refugees and applied for asylum. Although the last four decades has seen much ethnomusicological research on music and migration, we remain mindful of Reyes Schramm's argument about the importance of studying refugee music to better understand music traditions. As with other parts of the world, though, today there are a multitude of online and published materials on North Korea, including on music and dance, most emanating from the country. Given that there are few if any opportunities to conduct fieldwork inside the country, researchers typically use the available materials to construct accounts. But to what extent do the memories of North Koreans who are resident in Britain contrast and challenge the online and published materials

Archaeology · Argument (complex analysis · Art · Construct (python library · Country · Dance · Homeland · Media studies · Political science · Politics · Refugee · Sociology · Visual arts · Asian Culture and Media Studies · History · Korean Peninsula Historical and Political Studies

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