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John Knox Bokwe, Colonial Composer

Tales about Race and Music

Bibliographic Data

ID4765906
AuthorsGrant Olwage (0000-0003-4844-3268, corresponding author)
Year2006
Volume131
Issue1
Pages1-37
Publication date2006-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of the Royal Musical Association (JOURNAL)
Journal identifiersISSN: 0269-0403 • E-ISSN: 1471-6933
PublisherCambridge University Press (PUBLISHER • US)
DOI10.1093/jrma/fki010
OpenAlexW2014299688
LanguageEN
Citations received12
References cited18

This article intervenes in debates on the status of 'race' in ethno/musicological writings. It does so through an examination of the compositional discourse of colonial black South African choral music, particularly detailed analyses of the work of John Knox Bokwe (1855-1922) and their metropolitan sources such as late nineteenth-century gospel hymnody, exploring both how Bokwe's compositional practice enacted a politics that became anticolonial and how early black choral music became 'black' in its receptions. The article concludes that ethno/musicological claims that colonial black choral music contains 'African' musical content conflate race and culture under a double imperative: in the names of a decolonizing politics and a postcolonial epistemology in which hybridity as resistance is racialized

Choir · Hybridity · Diverse Musicological Studies · Music History and Culture · South African History and Culture

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    Open Access•Gavin S K Lee•twentieth-century music•2023

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    Open Access•Graham A Duncan•HTS Teologiese Studies /…•2022

  • From Difference to Ambiguity

    Gavin S K Lee•Journal of the American…•2025

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    Open Access•Andrew-John Bethke, Nkosimandla Makala et al.•Muziki•2024

  • The Transforming Idioms of South African Hymn Tunes

    Andrew-John Bethke•Muziki•2017

  • Hybrid Traditions in South African Black Choral Music

    Open Access•Andrew-John Bethke, Martin Goldstein•Muziki•2025

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    James Davies, J Q Davies et al.•Journal of African Media Studies•2010

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    Dawne Y Curry•Safundi•2018

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    HLEZIPHI NAPAAI, Mary-Lynn Suttie•South African Historical Journal•2008

  • The Examiner and the Evangelist

    Open Access•Erin Johnson-Williams•Journal of the Royal Musical…•2020

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    William F Lye, Richard Elphick et al.•The American Historical Review•2000

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    Robert J C Young•Postcolonialism•2016

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    Les Back, John Solomos•Theories of Race and Racism•2013

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    Kofi Agawu•Representing African Music•2014

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Unique citing works12
Citations per year0,67
Citation span2008 - 2025 (18)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 12

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