Crossing borders
The Path of Photomicrography Towards Artistic Recognition
Bibliographic Data
| ID | 4769925 |
|---|---|
| Authors | Sandra Santos (0000-0003-0631-816X, corresponding author) |
| Year | 2015 |
| Volume | 5 |
| Publication date | 2015-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Midas (JOURNAL) |
| Journal identifiers | ISSN: 2182-9543 • E-ISSN: 2182-9543 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/midas.875 |
| OpenAlex | W2196253702 |
| Language | EN |
| Citations received | 1 |
| References cited | 16 |
Photomicrography has been subject of several studies over the years, mostly on a technical perspective. The artistic side of photomicrography is a promising topic of study, which has gathered important contributions for the connection between art and science. In contemporary times it is generally regarded as a form of artistic expression, alongside its role in science. Nonetheless, this subject would benefit from a comprehensive approach so as to understand the process of artistic recognition of photomicrography as part of an increasing dialogue and mutual acceptance and respect between art and science. The present study aims to clarify how photomicrography came to be accepted and fully acknowledged as art from past to present. Moreover, it aims to shed light into collaborative contemporary practices where art and science meet to stimulate a greater appreciation of the natural world. Documental analysis and interpretation was conducted, namely of written texts and images comprised in The Photographic Journal of the Royal Photographic Society between 1853 and 2013. The data retrieved and analysed was complemented with information regarding contemporary artistic photomicrography. Research has shown that, despite persistent resistance, in the early years of the twentieth century artistic photomicrography was accepted and subsequently acknowledged and encouraged. Photomicrography is currently on a growing path, to a great extent due to contemporary practices where its scientific and artistic potential are brought together to promote the experience, understanding and appreciation of the natural world
Aesthetics · Art · Art history · Contemporary art · Interpretation (philosophy · Library science · Natural (archaeology · Performance art · Perspective (graphical · Photography · Subject (documents · Visual arts · Aesthetic Perception and Analysis · Computer Science · History · Photography and Visual Culture · Visual Culture and Art Theory
| Citations per year | 1 |
|---|---|
| Citation span | 2026 - 2026 (1) |
| Highly cited | No |