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Introduction

Modernism after Postmodernity

Bibliographic Data

ID4770976
AuthorsAndreas Huyssen (corresponding author)
Year2006
Volume33
Issue3
Pages1-5
Publication date2006-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNew German Critique (JOURNAL)
Journal identifiersISSN: 0094-033X • E-ISSN: 1558-1462
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/0094033x-2006-008
OpenAlexW2003610548
LanguageEN
Citations received4

Since the waning of the debate about and the rise of glo balization as master signifier of our time, the discourses of modernity and modernism have staged a remarkable comeback. Jean-Fran?ois Lyotard's provocative quip that any work of art has to be postmodern before it can become genuinely modern has come true in ways he could hardly have fore seen. There is much talk these days of modernity at large, second modernity, liquid modernity, alternative modernity, countermodernity, and whatnot. Modernity and its complex and conflicted relationship to modernism are being reassessed in architecture and urban studies as they are in literature, the visual arts, music, anthropology, and postcolonial studies. In a certain way, this is not so surprising. This journal has always argued against a sim plistic linear chronology of the modern and the postmodern. Rather than oppose postmodernism to modernism in a reductive binary or as separate stages on a progressive time line, we saw North American postmodernism as an attempt to rewrite and to renegotiate key aspects of the early-twentieth century European avant-gardes in an American context in which the rela tions between high and low culture, as well as the role of art in society, were coded quite differently than they were in Europe, either in the interwar or in

Aesthetics · Art · Literature · Modernism (music) · Postmodernism · Postmodernity · Architecture, Modernity, and Design · Art, Politics, and Modernism · Philosophy

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Unique citing works4
Citations per year0,57
Citation span2019 - 2024 (6)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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