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The Power of the Ordinary Subversive in Jackie Kay's Trumpet

Bibliographic Data

ID4774358
AuthorsTracy Hargreaves (corresponding author)
Year2003
Volume74
Issue1
Pages2-16
Publication date2003-07-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueFeminist Review (JOURNAL)
Journal identifiersISSN: 0141-7789 • E-ISSN: 1466-4380
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1057/palgrave.fr.9400068
OpenAlexW1977816031
LanguageEN
Citations received4
References cited5

In Jackie Kay's award-winning novel, Trumpet (1998), the main character Joss Moody, a celebrated jazz trumpet player, is discovered upon his death to be anatomically female. The essay traces both postmodern and humanist affirmations of constructions of self-hood. Situating Virginia Woolf's version of a metaphysical and escapist androgyny as one kind of aesthetic against the material politics of the transgendered subject, the essay argues that Kay's novel can be seen as part of a 20th century tradition of literature and film which satirizes, parodies and painfully exposes the discontinuities of dominant sex-gender systems. The essay ends by arguing that Kay also develops these systems by imbricating sex and gender within a series of dislocated familial, sexual and racial identities, beginning with the arrival of Joss's African father in Scotland at the beginning of the 20th century

Art · Art history · Character (mathematics) · Epistemology · Human sexuality · Humanism · Jazz · Literature · Metaphysics · Politics · Postmodernism · Power (physics) · Psychoanalysis · Sociology · Subject (documents) · Feminism, Gender, and Sexuality Studies · Gender Studies · Gender, Feminism, and Media · Irish and British Studies · Philosophy · Psychology

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Unique citing works4
Citations per year0,8
Citation span2021 - 2025 (5)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 4

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