Percutere animum ». La percussion, un ressort némotechnique dans les rhétoriques grecque et latine
Bibliographic Data
| ID | 4775784 |
|---|---|
| Authors | Naïs Virenque (corresponding author) |
| Year | 2021 |
| Issue | 115 |
| Pages | 209-224 |
| Publication date | 2021-04-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Pallas (JOURNAL) |
| Journal identifiers | ISSN: 0031-0387 • E-ISSN: 2272-7639 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/pallas.20242 |
| OpenAlex | W4312648888 |
| Language | FR |
| Citations received | 1 |
| References cited | 8 |
This paper deals with the mnemotechnic specificity of the percussive sound. By focusing on the argumentative, rhetorical and cognitive operativity of the percussive sound that appears in the Greek and Latine rhetoricians’ writings and practices, it hypothesizes that making a percussive sound responds to the recommendations of the art of memory. To defend this hypothesis, it explains to what extent the visual and sound resorts of the art of memory are not only language’s and imagination’s artifacts, but also constitute social phenomena, which produce and exploit the ethical instrumentality of images and sounds
Art · Humanities · Historical and Literary Analyses · Language, Metaphor, and Cognition · Linguistics and Discourse Analysis · Philosophy
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,25 |
| Citation span | 2022 - 2022 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |