Performing and contesting masculinity in Derek Walcott'sPantomime
Bibliographic Data
| ID | 4786226 |
|---|---|
| Authors | David Leahy (corresponding author) |
| Year | 2015 |
| Volume | 18 |
| Issue | 1 |
| Pages | 19-39 |
| Publication date | 2015-01-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Postcolonial Studies (JOURNAL) |
| Journal identifiers | ISSN: 1368-8790 • E-ISSN: 1466-1888 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/13688790.2015.1023685 |
| OpenAlex | W1923248859 |
| Language | EN |
It is commonplace to read Derek Walcott's two-act play, Pantomime,1 as an allegory about postcolonial black/white relations. An excerpted diegesis by Patrick Taylor clarifies why this is the case
Art · Masculinity · Sociology · Diversity and Impact of Dance · Gender Studies · Theater, Performance, and Music History · Theatre and Performance Studies
| Highly cited | No |
|---|