An Aspect of Functional Harmony in Schoenberg's Early Post-Tonal Music
Bibliographic Data
| ID | 4789429 |
|---|---|
| Authors | Natalie Newton (0000-0001-5894-0714, corresponding author), Neil Newton |
| Year | 2014 |
| Volume | 33 |
| Issue | 1 |
| Pages | 1-31 |
| Publication date | 2014-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Analysis (JOURNAL) |
| Journal identifiers | ISSN: 0262-5245 • E-ISSN: 1468-2249 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/musa.12018 |
| OpenAlex | W1591066032 |
| Language | EN |
| Citations received | 4 |
| References cited | 18 |
Two views of Schoenberg's post-tonal music are common: that it is non-functional, and that there was a complete break from the tonal music that preceded it. In this article I show that there are aspects of functional voice leading, derived from tonality, that are still present in Schoenberg's early post-tonal music. Furthermore, this functional harmony also helps to communicate the form of the piece and to supply closure
Aesthetics · Art · Literature · Musical · Speech recognition · Tonality · Visual arts · Communication · Computer Science · Music Technology and Sound Studies · Musicology and Musical Analysis · Neuroscience and Music Perception · Psychology
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,4 |
| Citation span | 2016 - 2022 (7) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |