Towards Inclusivity
Dalit women's representation in contemporary Telugu cinescapes
Bibliographic Data
| ID | 4803552 |
|---|---|
| Authors | Bhagya Shree Nadamala (0000-0002-3346-742X), Priyanka Tripathi (0000-0002-9522-3391) |
| Year | 2024 |
| Volume | 137 |
| Issue | 1 |
| Pages | 102-119 |
| Publication date | 2024-07-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Feminist Review (JOURNAL) |
| Journal identifiers | ISSN: 0141-7789 • E-ISSN: 1466-4380 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/01417789241250296 |
| OpenAlex | W4401510134 |
| Language | EN |
| Citations received | 3 |
| References cited | 30 |
Cinema acts as a cultural product, a medium of expression and a source of popular entertainment; usually it appears to conscientiously genuflect to upper-caste dictums. Since its inception, Telugu cinema, or Tollywood, the third-largest film industry in India, has produced various caste-based films like Gudavalli Ramabrahmam's Malapilla (1938), Kasinadhuni Vishwanath's Kalam Marindhi (1972) and K. Balachander's Rudraveena (1988), amongst others. In the discourse surrounding caste, the 'Dalit woman question' and its representation is either consciously ignored or erased, and thus, it stands enfolded in upper-caste reformist politics. This article analyses the representation of Dalit women in select Telugu films produced at significant sociopolitical junctures of contemporary times. These films mark a significant departure from the stereotypical representation of Dalit women as submissive and portray them as women with voices. Within the larger framework of feminist activism and human rights discourse, we see Dalit women protagonists in these films with an agentic space of their own. In the Indian context, where equality and no discrimination are constitutional rights, the films under discussion, Srikanth Addala's Narappa (2021) and Sekhar Kammula's Love Story (2021), are an appropriate intervention to showcase the inclusivity of Dalit women in the larger scheme of Indian feminism. This study employs critical textual and frame analysis to read selected Telugu films as cultural texts with Dalit feminist consciousness embedded within them
Feminism · Human sexuality · Linguistics · Political science · Politics · Representation (politics) · Sociology · Telugu · Anthropology · Asian Culture and Media Studies · Cinema and Media Studies · Cultural Studies · Gender Studies · Law · Philosophy · South Asian Cinema and Culture
Gender Politics
As a Dalit Women
Region/Regional Cinema
Understanding Dr. B. R. Ambedkar
Dalit Movement in Andhra Pradesh
Colonial Discourse and Post-Colonial Theory
Tamil Nadu Politics and Tamil Cinema
Dalit Women and the Question of Representation
Karnan
From Sujata to Kachra
In the Name of ‘Poor and Marginalised’? Politics of NGO Activism with Dalit Women in Rural North India
Dalit Cinema
Cinema/ldeology/Criticism
From Passive Acceptance to Active Commitment
Dalit Women in Cinema
Marriage, Violence, and Choice
Untouchability in Modern India
The Feminist Consciousness
On Goffman's frame analysis
| Unique citing works | 3 |
|---|---|
| Citations per year | 1,5 |
| Citation span | 2024 - 2026 (3) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 2 |