Disconnected Generation
Multi-Colour, Internetisation, Fashion Consumption, Sci-Fi Prose and Global Identity of the Post-90s
Bibliographic Data
| ID | 4804325 |
|---|---|
| Authors | Mingyuan Hu (0000-0002-7931-4605, corresponding author) |
| Year | 2022 |
| Publication date | 2022-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.104925 |
| OpenAlex | W4382561002 |
| Language | EN |
Thinking of artists in terms of their generation is an old and imprecise practice. Thinking of today’s young Chinese artists in this way yet offers something new and precise. The curator of "The Disconnected Generation", an exhibition held at Song Art Museum in Beijing between August and December 2022, Cui Cancan elucidates this grouping as a way of thinking through a rather particular reality, one that cannot be overlooked and cannot be taken for granted. The artists in the exhibition (Fei Y
Advertising · Aesthetics · Art · Business · Fashion and Cultural Textiles · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |