Sentential Lyric-Types in the Great American Songbook
Datos Bibliográficos
| ID | 4806085 |
|---|---|
| Autores | Michael R Callahan (Michigan State University, autor de correspondencia) |
| Año | 2013 |
| Volumen | 19 |
| Número | 3 |
| Fecha de publicación | 2013-10-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Music Theory Online (JOURNAL) |
| Identificadores de la revista | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Editorial | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.19.3.2 |
| OpenAlex | W1544524677 |
| Idioma | EN |
| Citas recibidas | 7 |
| Referencias citadas | 11 |
This article investigates the musico-poetic role played by the sentence in songs of George Gershwin, Jerome Kern, Frederick Loewe, Cole Porter, and Richard Rodgers. The phrase-type can be understood as an architectural frame for both composers and lyricists, fundamental to both musical and lyrical designs and crucial to the interaction between the two. This study classifies lyrics that display sentential characteristics of repetition, intensification, and cadence and explores their correspondence to those features of musical sentences. The result is a more detailed picture of text-music relationships and phrase structure in the Great American Songbook
Art · Art history · Cadence · Linguistics · Literature · Lyrics · Melody · Musical · Phrase · Poetry · Sentence · Symphony · Computer Science · Music History and Culture · Musicology and Musical Analysis · Philosophy · Theater, Performance, and Music History
| Obras citantes distintas | 7 |
|---|---|
| Citas por año | 0,58 |
| Intervalo de citas | 2014 - 2022 (9) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 7 |