Music and the Aural Arts
Bibliographic Data
| ID | 4809686 |
|---|---|
| Authors | A Hamilton (0000-0001-7242-5209, Durham University, corresponding author) |
| Year | 2007 |
| Volume | 47 |
| Issue | 1 |
| Pages | 46-63 |
| Publication date | 2007-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | The British Journal of Aesthetics (JOURNAL) |
| Journal identifiers | ISSN: 0007-0904 • E-ISSN: 1468-2842 |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/aesthj/ayl038 |
| OpenAlex | W2053296003 |
| Language | EN |
| Citations received | 4 |
The visual arts include painting, sculpture, photography, video and film. But many people would argue that music is the universal or only art of sound. In the modernist era, Western art music has incorporated unpitched sounds or "noise", and I pursue the question of whether this process allows space for a non-musical soundart. Are there non-musical arts of sound – is there an art phonography, for instance, to parallel art photography? At the same time, I attempt a characterisation of music, contrasting acoustic, aesthetic and acousmatic accounts. My view is that there is some truth in all of these. I defend the claim that music is an art with a small "a" – a practice involving skill or craft whose ends are essentially aesthetic, that especially rewards aesthetic attention – whose material is sounds exhibiting tonal organisation. But acoustic and acousmatic accounts help to distinguish between music and non-musical soundart, since music must have a preponderance of tones for its material
Art · Art history · Performance art · The arts · Visual arts · Aesthetic Perception and Analysis · Musicology and Musical Analysis · Renaissance Literature and Culture
| Citations per year | 0.36 |
|---|---|
| Citation span | 2015 - 2024 (10) |
| Highly cited | No |