Pedrosa, the "Old Lion"-Franco-Brazilian Fragments of a History of Committed Criticism
Bibliographic Data
| ID | 4811082 |
|---|---|
| Authors | Antje Kramer-Mallordy (corresponding author) |
| Year | 2016 |
| Volume | 47 |
| Issue | 47 |
| Publication date | 2016-11-30 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.23193 |
| OpenAlex | W2559679898 |
| Language | EN |
Opening session of the VIIIth Congress of the AICA, Acte du Congrès de l’AICA, Tel Aviv, July 1963 © AICA (From left to right) Jorge Romero Brest, Mário Pedrosa, Will Grohmann, James Johnson Sweeney, Abba Eban, Haim Gamzu, Mordechai Namir, Simone Gille-Delafon, Giulio Carlo Argan, Hans Ludwig Cohn Jaffé, Jacques Lassaigne, Robert Delevoy – Fonds AICA Mário Pedrosa (1900-1981) is now recognized as one of the outstanding figures in the history of 20th century art criticism. As is also attested
Art · Criticism · Literature · Art, Politics, and Modernism · French Literature and Poetry · History · Walter Benjamin Studies Compilation
| Citation velocity | historical |
|---|---|
| Highly cited | No |