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Dat Var Negressen Walaida Snow

Bibliographic Data

ID4815330
AuthorsJayna Brown (corresponding author)
Year2006
Volume16
Issue1
Pages51-70
Publication date2006-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueWomen & Performance a journal of feminist theory (JOURNAL)
Journal identifiersISSN: 0740-770X • E-ISSN: 1748-5819
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/07407700500515894
OpenAlexW1980084320
LanguageEN
Citations received3
References cited4

This essay is about the jazz musician and black variety stage artist Valaida Snow and the years she spent caught in Nazi occcupied Denmark. Despite rumors that she was held in a concentration camp, this essay argues that she may in fact have been shielded from the occupiers by the Danes. This essay argues that a masculinist bias in popular cultural/jazz studies obscures the histories of black women expressive artists and limits theoretical possibilities in the study of performance. It argues that the study of black women performers demands the development of more supple analytical models that attend to the heterogeneity of black expressive forms

Jazz · Music History and Culture · Posthumanist Ethics and Activism · Theater, Performance, and Music History

  • Separated At “Birth”

    Open Access•Lara Pellegrinelli•Big Ears•2008

  • Identity for Sale

    Open Access•Tacy McMullen•Big Ears•2008

  • Shoving aside the politics of respectability

    Therí A Pickens•Women & Performance a journal of…•2015

  • Eichmann in Jerusalem

    Hannah Arendt•Eichmann in Jerusalem•1977

  • Different Drummers

    Richard Bodek, Michael H Kater•German Studies Review•1993

  • Black Women in American Bands and Orchestras

    Dominique-Rene De Lerma, D Antoinette Handy•American Music•1984

  • Modernity and the holocaust

    Zygmunt Bauman•Modernity and the holocaust•1989

Unique citing works3
Citations per year0,17
Citation span2008 - 2015 (8)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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