Between the Sacred and Secular
The Role of Chinese Popular Deities in Creating Thirdspaces in Chinese Restaurants of Santiago de Chile
Bibliographic Data
| ID | 4816239 |
|---|---|
| Authors | C Chan (0000-0001-9879-5144, Academy of Christian Humanism University), Ríos María Elvira (Pontificia Universidad Católica de Chile) |
| Year | 2020 |
| Volume | 16 |
| Issue | 2 |
| Pages | 162-186 |
| Publication date | 2020-03-14 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Material Religion (JOURNAL) |
| Journal identifiers | ISSN: 1743-2200 • E-ISSN: 1751-8342 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17432200.2020.1722906 |
| OpenAlex | W3010771343 |
| Language | EN |
| Citations received | 1 |
| References cited | 31 |
Material manifestations of the Chinese popular deities, Guanyin and Guan Gong, are ubiquitous in Cantonese-Chinese restaurants globally. Yet studies of Chinese popular religion among overseas Chinese have seldom focused on the diverse significance of these deities to Chinese migrants, nor the use of restaurant-spaces to house these deities. This article examines the presence and powers of such deities in Chinese restaurants of Santiago de Chile. We seek to understand how the presence or absence of Guanyin and Guan Gong figures specifically shapes migrant Chinese restauranteurs and workers’ experience of the restaurants as particular kinds of protected, sacred/secular spaces, and how these deities might also affectively shape the restauranteurs’ ways of being and inhabiting the restaurants. Based on semi-structured interviews with Chinese shopkeepers and workers, observation and photography of the spatial organization of 26 restaurants and the aesthetics of their deities, we argue that these restaurants are more than just their primary sources of livelihood. We argue that they approximate Soja’s “thirdspaces” (1996), which on the one hand mediate their interactions with the city and its other residents, and on the other hand mediate relationships between humans in the earthly world and deities in the “other” parallel world
Aesthetics · Archaeology · Art · Geography · Guan · Humanities · Livelihood · Sociology · Culinary Culture and Tourism · Gender Studies · History · Japanese History and Culture · Migration, Ethnicity, and Economy
Making Spirits
The Princeton Dictionary of Buddhism
The cultural biography of things
Thirdspace
Introduction
Changing Gods in Medieval China, 1127-1276
The Impact of Buddhism on Chinese Material Culture
“There was a priest, a rabbi and an imam …”
The Coolie Speaks
I'll Take Chop Suey”
Cosmologies of Credit
Orthodoxy, Heterodoxy, and the Structure of Value in Chinese Rituals
Taking Sacred Space out of Place
Money for the Gods
Religion and modernity
Scents, Community, and Incense in Traditional Chinese Religion
Making "Unofficial" Sacred Space
The Sacred Geography of Bangkok's Markets
Medium
The Materiality of Sacred Economies
An Appropriation of Ashes
Thirdspace
Superscribing Symbols
Making community under shared conditions of insecurity
Things Fall Apart
Ethnocentrism, Social Theory and Non-Western Sociologies of Religion
The Buddhist Icon and the Modern Gaze
| Unique citing works | 1 |
|---|---|
| Citations per year | 1 |
| Citation span | 2026 - 2026 (1) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 1 |