Of Mambo Kings and Songs of Love
Dance Music in Havana and New York from the 1930s to the 1950s
Bibliographic Data
| ID | 4821841 |
|---|---|
| Authors | Lise Waxer (corresponding author) |
| Year | 1994 |
| Volume | 15 |
| Issue | 2 |
| Pages | 139 |
| Publication date | 1994-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Latin American Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0163-0350 • E-ISSN: 1536-0199 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/780230 |
| OpenAlex | W2473259277 |
| Language | EN |
| Citations received | 5 |
| References cited | 7 |
L'histoire de la musique latine entre 1930 et 1950 montre les influences et les contacts culturels entre Cuba et les Etats-Unis. Le « son » et le « danzon » sont a l'origine du « danzon-mambo », du mambo, et du chachacha. L'axe Havane-New-York a joue un role central dans les changements des formations musicales
Art · Art history · Dance · Humanities · Literature · Cuban History and Society · Music History and Culture · Theater, Performance, and Music History
| Unique citing works | 5 |
|---|---|
| Citations per year | 0,17 |
| Citation span | 1996 - 2021 (26) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 5 |