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The Art of Record Production

An Introductory Reader for a New Academic Field (eds. Simon Frith and Simon Zagorski-Thomas)

Bibliographic Data

ID4824517
AuthorsPat O’grady (0000-0002-9949-0980, Macquarie University, corresponding author), Pat O''Grady, Pat O'Grady
Year2013
Volume5
Issue1
Pages78-80
Publication date2013-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueDancecult (JOURNAL)
Journal identifiersISSN: 1947-5403 • E-ISSN: 1947-5403
PublisherMaynooth University (PUBLISHER)
DOI10.12801/1947-5403.2013.05.01.06
OpenAlexW1914792101
LanguageEN
References cited6

Originally developed for the treatment of blood-clotting by the German pharmaceutical company Merck in 1912, ecstasy was subsequently "rediscovered" by the Shulgins, who through their own experimentations and critical-self reflections had the remarkable foresight to anticipate the clinical use of the drug as an aid to psychotherapeutic practice. More recently, federally approved trials in the United States have openly sanctioned the legal use of ecstasy as an adjunct to psychotherapy in clinical trials treating people with post-traumatic stress disorder. Standing in contrast to this controlled use in strict clinical conditions is one of the largest socio-cultural movements of the 20th century: transnational club and rave culture. It is against the backdrop of the rise of the "chemical generation" that Jennifer Ward's ethnographic research focusses on the socio-economic networks that sell and distribute ecstasy. What is impressive about this ethnography is the unflinching honesty through which the author dives straight into the deep end of the London drug scene to study the use of ecstasy and the socio-cultural dynamics of its dealing

Art · Art history · Cognitive science · Frith · Linguistics · Media studies · Sociology · Computer Science · Library Science and Information Systems · Mathematics · Philosophy · Psychology

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Citation velocityhistorical
Highly citedNo

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