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The Manufacture of Consent

J. Edgar Hoover and the Rhetorical Rise of the Fbi

Bibliographic Data

ID4825467
AuthorsDouglas M Charles (Pennsylvania State University, Greater Allegheny Campus, McKeesport, Pennsylvania, corresponding author)
Year2021
Volume108
Issue2
Pages397-398
Publication date2021-09-01
Open AccessYes
TypeARTICLE
VenueJournal of American History (JOURNAL)
Journal identifiersISSN: 0021-8723 • E-ISSN: 1945-2314
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/jahist/jaab183
OpenAlexW3199801229
LanguageEN

Stephen M. Underhill's book examines Federal Bureau of Investigation (Fbi) director J. Edgar Hoover's rhetoric and domestic propaganda. The basic thesis is convincing and, indeed, makes a significant contribution to our understanding of Hoover's Fbi during this period. The Manufacture of Consent, however, has some less convincing subsidiary arguments and issues with citations. Underhill traces the roots of Hoover's rhetoric to his upbringing during the Progressive Era and his early years as a government bureaucrat. Hoover's rhetoric embodied racist, Anglo-American frontier mythology and detached scientific progressivism. It was during New Deal expansionism that Hoover embraced media manipulation to popularize his Fbi. He clashed with idealistic New Dealers on crime reform, but through careful work, Hoover and his Crime Records Section (the Fbi's public relations arm) cultivated congressional allies who helped push the Fbi story line of Hoover as frontier hero battling crime. During the debate

Art · Frontier · HERO · Literature · Mythology · Political science · Progressivism · Rhetoric · Rhetorical question · Sociology · Theology · Classics · History · Intelligence, Security, War Strategy · Law · Philosophy

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