Le théâtre dans la Vie d'Apollonios de Tyane de Philostrate
Bibliographic Data
| ID | 4845276 |
|---|---|
| Authors | Patrick Robiano (corresponding author) |
| Year | 2015 |
| Issue | 97 |
| Pages | 193-209 |
| Publication date | 2015-02-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Pallas (JOURNAL) |
| Journal identifiers | ISSN: 0031-0387 • E-ISSN: 2272-7639 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/pallas.2353 |
| OpenAlex | W1596522615 |
| Language | FR |
| Citations received | 1 |
| References cited | 22 |
Philostratus’ Life of Apollonius of Tyana gives an important account of the manner theater and pantomime have been practised during the imperial era, especially in the case of Nero, and it confirms how much Euripides was important. It shows too that Philostratus constructs his work by using tragedy so that it makes sense, through quotations and allusions, defining himself, maybe, as a new Aeschylus. Finally, it appears theater could be a very good way to understand world
Art · Humanities · Ancient Mediterranean Archaeology and History · Classical Antiquity Studies · Historical, Religious, and Philosophical Studies · Philosophy
L’Empire gréco-romain
The Pantomime Dancer and his Libretto
Amateur Dramatics at the Court of Nero (Annals I 5. 48-74)
The Symbolism of Costume in Ancient Pantomime
Is the ‘Barcelona Alcestis’ a Latin Pantomime Libretto?
Men, muscle, and myth
Quotation Of Earlier Texts In Τα Εσ Τον Τυανεα Απολλωνιον
Was Pantomime ‘good to think with’ in the Ancient World
Néron musicien
Lucien et la tragédie
The Second Sophistic
Greek Literature and the Roman Empire
Actors in the Audience
Three Problems in the History of Drama
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,13 |
| Citation span | 2018 - 2018 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |