Brazil, Indigenous Land
Bibliographic Data
| ID | 4845561 |
|---|---|
| Authors | Jamille Pinheiro Dias, Lúcia Sá (0000-0002-0005-897X) |
| Year | 2025 |
| Volume | 2025 |
| Issue | 152 |
| Pages | 13-31 |
| Publication date | 2025-05-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Radical History Review (JOURNAL) |
| Journal identifiers | ISSN: 0163-6545 • E-ISSN: 1534-1453 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/01636545-11610003 |
| OpenAlex | W4410814996 |
| Language | EN |
| References cited | 10 |
At the intersection of cultural activism, historical critique, and political dissent, Indigenous antiracist art has prompted a reassessment of colonialist monuments and their role in perpetuating legacies of violence in urban spaces. A case in point is Denilson Baniwa's 2020 video-mapping projection on the Monument to the Bandeiras (Monumento às Bandeiras) in São Paulo, titled Brazil, Indigenous Land (Brasil,Terra Indígena). This article probes Baniwa's intervention as a starting point to explore how public Indigenous art can change people's perceptions in a way that recognizes Indigenous perspectives, which are often overlooked in cities. It calls for a collective reckoning with the oppressive forms that persist in colonialist monuments and questions the Eurocentric foundations that cities are built on
Biology · Ethnology · Geography · Indigenous · Political science · Sociology · Agriculture, Land Use, Rural Development · Anthropological Studies and Insights · Ecology
Entre vistas, mundos e rios
Political vandalism as counter‐speech
False Exemplars
Counter-Monuments and Nation-Building in Australia
Between crisis and care
Petroglifos pra um antigo-futuro
Patrimônios sensíveis, ensino de História e disputas de memória
Environmental Thinking and Indigenous Arts in Brazil Today
| Citation velocity | historical |
|---|---|
| Highly cited | No |