An Ontological Justification for Contextual Authenticity
Bibliographic Data
| ID | 4845922 |
|---|---|
| Authors | Caterina Moruzzi (0000-0002-9728-3873, University of Nottingham, corresponding author) |
| Year | 2019 |
| Volume | 59 |
| Issue | 4 |
| Pages | 413-427 |
| Publication date | 2019-12-21 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The British Journal of Aesthetics (JOURNAL) |
| Journal identifiers | ISSN: 0007-0904 • E-ISSN: 1468-2842 |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/aesthj/ayz020 |
| OpenAlex | W2966559037 |
| Language | EN |
| Citations received | 1 |
In this paper I defend a contextualist interpretation of authenticity in musical performance: we judge a performance as authentic not in respect of a stable set of requirements but according to contextually determined factors. This solution is the natural outcome of an independently supported ontological account of musical works: Musical Stage Theory. The aim of the paper is to give new momentum to the debate concerning the notion of authenticity and to challenge a monistic interpretation of authenticity: there is not one authenticity but many
Aesthetics · Art · Epistemology · Interpretation (philosophy · Linguistics · Literature · Monism · Musical · Natural (archaeology · Outcome (game theory · Set (abstract data type · Sociology · Computer Science · History · Mathematics · Music Technology and Sound Studies · Musicology and Musical Analysis · Philosophy · Psychology
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,25 |
| Citation span | 2022 - 2022 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |