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Kitsch Enters the Novel

Flaubert's Satirical Ekphrasis

Bibliographic Data

ID4849356
AuthorsJennifer Yee (0000-0001-5191-5655, corresponding author)
Year2024
Volume55
Issue2
Pages317-337
Publication date2024-03-01
Open AccessNo
TypeARTICLE
VenueNew Literary History (JOURNAL)
Journal identifiersISSN: 0028-6087 • E-ISSN: 1080-661X
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/nlh.2024.a938863
OpenAlexW4403156638
LanguageEN

Gustave Flaubert is famous for his collection of "idées reçues," or over-used ideas expressed in hackneyed language. Less widely recognized is his interest in "images reçues," or images from popular culture, at a time when the word "kitsch" is entering usage elsewhere. Flaubert effectively exposes popular imagery as kitsch, framing the description of representational material objects (Keepsakes, prints, a wedding cake) within his prose just as he frames or cites linguistic clichés. This is satirical ekphrasis: the verbal description of visual representation with ironic intent. And yet Flaubert relishes the carnivalesque, absurd juxtapositions of the imagery that he describes

Art · Art history · Kitsch · Literature · French Literature and Criticism · Narrative Theory and Analysis · Philosophy · Visual Culture and Art Theory

Highly citedNo

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