Vitalità del negativo/Negativo della vitalità
Bibliographic Data
| ID | 4852032 |
|---|---|
| Authors | Romy Golan (ROMY GOLAN is Professor of 20th Century Art at the Graduate Center, CUNY. She is the author of Modernity and Nostalgia: Art and Politics in France Between the Wars and Muralnomad: The Paradox of Wall Painting, Europe 1927–1957 (Yale University Press, 1995 and 2009)., corresponding author) |
| Year | 2014 |
| Volume | 150 |
| Pages | 113-132 |
| Publication date | 2014-10-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | October (JOURNAL) |
| Journal identifiers | ISSN: 0162-2870 • E-ISSN: 1536-013X |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/octo_a_00203 |
| OpenAlex | W1997210082 |
| Language | IT |
| References cited | 2 |
Vitalità del negativo nell'arte italiana 1960/70, an exhibition that occupied the ground floor of the monumental Palazzo delle Esposizioni from November 30, 1970, to January 31, 1971, revived an ideologically loaded site in Rome under the mantle of contemporary art. Curated by Achille Bonito Oliva, it featured thirty-four Italian artists from a wide range of schools and mediums: painters from the Scuola di Piazza del Popolo (the Roman school of Pop); members of the ′60s Milanese group Azimut; kinetic environments by Padua's Gruppo N and Milan's Gruppo T; artists from Arte Povera; and other, more idiosyncratic installation artists
Art · Art history · Exhibition · Ground floor · Humanities · Painting · Visual arts · Diverse academic and cultural studies · Engineering · Italian Fascism and Post-war Society · Italian Literature and Culture
| Highly cited | No |
|---|