Between history and commodity
The Production of a Musical Patrimony Through the Record in the 1920-1930s
Bibliographic Data
| ID | 4852194 |
|---|---|
| Authors | Sophie Maisonneuve (0000-0002-7970-5374, European University Institute, corresponding author) |
| Year | 2001 |
| Volume | 29 |
| Issue | 2 |
| Pages | 89-108 |
| Publication date | 2001-07-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Poetics (JOURNAL) |
| Journal identifiers | ISSN: 0304-422X • E-ISSN: 1872-7514 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/s0304-422x(01)00029-8 |
| OpenAlex | W2073784756 |
| Language | EN |
| Citations received | 18 |
| References cited | 10 |
Aesthetics · Art · Articulation (sociology · Classical music · Commodification · Commodity · Epistemology · History of music · Linguistics · Literature · Meaning (existential · Music history · Musical · Musicology · Period (music · Political science · Politics · Possession (linguistics · Sociology · Visual arts · Cultural Industries and Urban Development · Diverse Musicological Studies · History · Law · Music History and Culture · Philosophy
Fonografia em trânsito
The Sociology of Music
After Adorno
Consumption of Music
“Listen and Be Amazed!”
“A New Pleasure”
Socio-material network analysis
The New Hunter-gatherers
Conserver la musique enregistrée, 1877-2017. Document, œuvre, expérience
Sounds Convincing
A indústria fonográfica e o mercado da música gravada - histórias de um longo desentendimento
Quando há artificação
Networks on the walls
Production perspectives in the sociology of music
Decomposed
Estratégias de mediação cultural
Digital Recording and the Reconfiguration of Music as Performance
What Is Sociological about Music
| Citations per year | 0.78 |
|---|---|
| Citation span | 2003 - 2023 (21) |
| Highly cited | No |