Dougie Young and political resistance in early Aboriginal country music
Bibliographic Data
| ID | 4852913 |
|---|---|
| Authors | Toby Martins (0000-0002-6113-6628, University of Huddersfield, corresponding author), Toby Martin |
| Year | 2019 |
| Volume | 38 |
| Issue | 03 |
| Pages | 538-559 |
| Publication date | 2019-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Popular Music (JOURNAL) |
| Journal identifiers | ISSN: 0261-1430 • E-ISSN: 1474-0095 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0261143019000291 |
| OpenAlex | W2979842272 |
| Language | EN |
| Citations received | 6 |
| References cited | 27 |
Country music has a reputation for being the music of the American white working-class South and being closely aligned with conservative politics. However, country music has also been played by non-white minorities and has been a vivid way of expressing progressive political views. In the hands of the Indigenous peoples of Australia, country music has often given voice to a form of life-writing that critiques colonial power. The songs of Dougie Young, dating from the late 1950s, provide one of the earliest and most expressive examples of this use of country music. Young's songs were a type of social-realist satire and to be fully understood should be placed within the broader socio-political context of 1950s and 1960s Australia. Young's legacy was also important for Aboriginal musicians in the 1990s and the accompanying reassessment of Australia's colonial past. Country music has provided particular opportunities for minority and Indigenous groups seeking to use popular culture to tell their stories. This use of country music provides a new dimension to more conventional understandings of its political role
Art · Call and response · Colonialism · Context (archaeology · Country · Indigenous · Literature · Music history · Musical · Political science · Politics · Popular music · Power (physics · Reputation · Resistance (ecology · Social science · Sociology · White (mutation · Australian History and Society · Diverse Musicological Studies · Gender Studies · History · Law · Music History and Culture
Born in the cattle
Popular music and communication
Aboriginal policy and practice
The Aboriginal Tent Embassy
Materialising Oceania
Striking the Right Chord
‘Our home, our land… something to sing about’
The intercultural crafting of real Aboriginal country and manhood in Central Australia
Australian Masculinities and Popular Song
Talking AMONGST Ourselves
The sixties between the microgrooves
A World without Citizenship
Soul Music
The Sins of the Son
In the interests of our people
Enough is Enough
Did rock smash the wall? The role of rock in political transition
Australian country music and the hillbilly yodel
Rhythm, rhyme and reason
Another boring day in paradise
The poetics of resistance and the politics of crossing borders
Reds, Whites, and the Blues
Belonging
Sweet Soul Music
Freedom Ride
Nitmiluk
| Unique citing works | 6 |
|---|---|
| Citations per year | 1,2 |
| Citation span | 2021 - 2023 (3) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 6 |