A Historical Analysis of Hip-Hop's Influence in Dakar from 1984 - 2000
Bibliographic Data
| ID | 4853209 |
|---|---|
| Authors | Ben Herson (Nomadic Wax, Brooklyn, NY, corresponding author) |
| Year | 2011 |
| Volume | 55 |
| Issue | 1 |
| Pages | 24-35 |
| Publication date | 2011-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | American Behavioral Scientist (JOURNAL) |
| Journal identifiers | ISSN: 0002-7642 • E-ISSN: 1552-3381 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/0002764210381727 |
| OpenAlex | W2072807499 |
| Language | EN |
| Citations received | 9 |
| References cited | 9 |
Over the past 30 years, hip-hop culture has proliferated globally. One of the most potent examples of Hip-Hop's effect on global culture can be seen in urban centers throughout Africa. The time period of 1984-2000 were of utmost importance in Senegal where hip-hop culture has had an effect on the cultural, social, and political landscape
Geography · Hop (telecommunications) · Political science · Politics · Sociology · Telecommunications · African history and culture studies · Caribbean history, culture, and politics · Demography · Engineering · History · Music History and Culture
On Hybridity in African Popular Music
Senegalesische Corona-Songs als Sensibilisierungs- und Informationsquelle für wolofsprachige Geflüchtete und Migrant*innen
Voting with their feet’
Ethnic identity, self-esteem and variability in perceptions of rap music's empowering and risky influences
“The Old Man Is Dead”
“The Soldier didn’t Run Away, He Went Looking for Strength”
The Old Man is Dead”
Le soldat n'a pas fui, il est parti chercher de la force
Locating Hip Hop Origins
| Citations per year | 0.64 |
|---|---|
| Citation span | 2012 - 2020 (9) |
| Highly cited | No |