John Ford
Critical Re-Visions
Bibliographic Data
| ID | 4855029 |
|---|---|
| Authors | Sara Steen (0000-0003-0917-0543), Sara Jayne Steen, Michael Neill |
| Year | 1990 |
| Volume | 42 |
| Issue | 4 |
| Pages | 516 |
| Publication date | 1990-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Theatre Journal (JOURNAL) |
| Journal identifiers | ISSN: 0192-2882 • E-ISSN: 1086-332X |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3207738 |
| OpenAlex | W2082805957 |
| Language | EN |
| Citations received | 1 |
Introduction Michael Neill 1. Ford in performance Roger Warren 3. 'Sensationalism' and 'melodrama' in Ford's plays Richard Madelaine 3. 'The Stage of My Mortality': Ford's poetry of death Colin Gibson 4. Singing through the chatter: Ford and contemporary theatrical fashion Andrew Gurr 5. 'Language and matter with a fit of mirth': dramatic construction in the plays of John Ford Kathleen McLuskie 6. Mortality, morality and modernity in The Broken Heart: some dramatic and critical counter-arguments Harriett Hawkins 7. 'What strange riddle's this?': deciphering 'Tis Pity She's a Whore Michael Neill 8. 'Tis Pity She's a Whore as city tragedy Verna Foster 9. Love's Sacrifice: Ford's metatheatrical tragedy Martin Butler 10. 'Being all one': Ford's analysis of love and friendship in Loues Sacrifice and The Ladies Traill Brian Opie 11. 'Effeminately dolent': gender and legitimacy in Ford's Perkin Warbeck Jean Howard Index
| Citations per year | 0.04 |
|---|---|
| Citation span | 1999 - 1999 (1) |
| Highly cited | No |