Matter and Meaning in Medieval Books
The Romance Manuscript as Sensory Experience
Bibliographic Data
| ID | 4858816 |
|---|---|
| Authors | Mark Cruse (SIL International, corresponding author) |
| Year | 2010 |
| Volume | 5 |
| Issue | 1 |
| Pages | 45-56 |
| Publication date | 2010-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Senses and Society (JOURNAL) |
| Journal identifiers | ISSN: 1745-8927 • E-ISSN: 1745-8935 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.2752/174589310x12549020528130 |
| OpenAlex | W2072841787 |
| Language | EN |
| Citations received | 2 |
| References cited | 8 |
Over the past twenty years, growing interest in the sensory potential of romance manuscripts has led to new appraisals of documentary sources and refined codicological analyses. New evidence of aural reception has been found in textual references, scribal practices, and images. Image-text studies have revealed the intervisual relationships between manuscripts and material culture, and the "cinematic" presence that books engendered. The correlation between eating and public reading implicates taste and smell in the use and interpretation of these manuscripts. The material quality of parchment reflects different forms of manufacture and handling, and makes manuscripts mute doublings of living human skin. Romance manuscripts were vehicles for the reinforcement of social ties through communal perception, and for more intimate contact through erotic reading.KEYWORDS: Bodley 264codicologymedieval romancememoryorality
Aesthetics · Archaeology · Art · Epistemology · Interpretation (philosophy · Linguistics · Literature · Meaning (existential · Parchment · Perception · Reading (process · Romance · Taste · Historical and Religious Studies of Rome · History · Medieval Literature and History · Philosophy · Psychology · Visual Culture and Art Theory
| Citations per year | 0.2 |
|---|---|
| Citation span | 2016 - 2025 (10) |
| Highly cited | No |