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Working, Writing and the Antillean Postcolony

Patrick Chamoiseau and Gisèle Pineau

Bibliographic Data

ID4859029
AuthorsLorna Milne (corresponding author)
Year2014
Volume37
Issue2
Pages205-220
Publication date2014-07-01
Open AccessYes
TypeARTICLE
VenueParagraph (JOURNAL)
Journal identifiersISSN: 0264-8334 • E-ISSN: 1750-0176
PublisherEdinburgh University Press (PUBLISHER • GB)
DOI10.3366/para.2014.0122
OpenAlexW1990661753
LanguageEN
References cited1

Patrick Chamoiseau's Un Dimanche au cachot (2007) and Gisèle Pineau's Folie, aller simple (2010) refer to the authors' professions (respectively social worker and nurse) to explore the tensions besetting Caribbean territories that belong integrally to the French Republic, yet are culturally distinct from the Hexagon. While both writers use a version of 'staged marginality' to raise questions about the 'imagined community' of the Republic, each adopts a different political approach and writing strategy. Chamoiseau appears still to struggle with binary colonial anxieties in relation to France, despite his professed immersion in Glissant's transcending 'Tout-Monde'; Pineau presents a less theorized, more integrative 'transcultural' Frenchness based on her personal experience. These contrasting interpretations highlight the need for a theoretical approach to the Antilles that accommodates both the shifting, relational dynamic associated with Glissant's postcolonial perspective, and the binary axis of centre and periphery more commonly associated with colonialism

Aesthetics · Archaeology · Art · Caribbean art · Colonialism · Political science · Politics · Sociology · Anthropology · Caribbean and African Literature and Culture · Gender Studies · History · Island Studies and Pacific Affairs · Law · Migration, Identity, and Health

  • Autobiography and Departmentalization in Chamoiseau's Chemin d'école

    H Adlai Murdoch•Research in African Literatures•2009

Highly citedNo

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