Twixt midnight and day
Binarism, Blues and Black Culture
Bibliographic Data
| ID | 4860384 |
|---|---|
| Authors | Paul Oliver (corresponding author) |
| Year | 1982 |
| Volume | 2 |
| Pages | 179-200 |
| Publication date | 1982-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Popular Music (JOURNAL) |
| Journal identifiers | ISSN: 0261-1430 • E-ISSN: 1474-0095 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0261143000001288 |
| OpenAlex | W2086806193 |
| Language | EN |
| Citations received | 3 |
| References cited | 7 |
Well the blues come to Texas lopin' like a muleWell the blues come to Texas lopin' like a muleYou take a high brown woman man she's hard to foolYou can't ever tell what a woman's got on her mindMan you can't tell what a woman's got on her mindYou might think she's crazy 'bout you she's leavin' you all the timeShe ain't so good looking and her teeth don't shine like pearlsShe ain't so good looking and her teeth don't shine like pearlsBut that nice disposition carries a woman all through the worldI'm goin' to the river gonna carry my rocker chairWell I'm goin' to the river carry my rocker chair--- have the worried blues right hereI think I heard my good gal callin' my nameHey hey good gal called my nameShe couldn't call so loud but she called so nice and plain
Art · Art history · Blues · History · Latin American and Latino Studies · Music History and Culture · Race, History, and American Society
| Unique citing works | 3 |
|---|---|
| Citations per year | 0.07 |
| Citation span | 1986 - 2013 (28) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |