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Towards a Phenomenology of Cinematic Mood

Boredom and the Affect of Time in Antonioni's L'eclisse

Bibliographic Data

ID4862228
AuthorsJohn Rhym (corresponding author)
Year2012
Volume43
Issue3
Pages477-501
Publication date2012-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNew Literary History (JOURNAL)
Journal identifiersISSN: 0028-6087 • E-ISSN: 1080-661X
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/nlh.2012.0027
OpenAlexW1984309525
LanguageEN
Citations received7
References cited7

What sort of experiential phenomenon is boredom? Is it to be understood as an emotion or the lack thereof? If it is a mood, is it triggered by a determinate set of external stimuli, or is it an internal state that "colors" our perception of the world? More specific to the present study, how do we begin to make sense of the affective specifications of the boredom that we feel when watching a film-that is, what exactly are we feeling? This paper seeks to address these questions, first, by delineating how boredom as it operates in and through Antonioni's L'eclisse (1962) poses problems for current trends in the study of film spectatorship, and, second, by turning to the phenomenological project of Martin Heidegger, whose account of mood draws attention to the ways in which boredom affords a unique affective disclosure of our relationship to time. Thus, reading Heidegger alongside L'eclisse can elucidate the unusual kind of engagement that Antonioni's film demands, while also opening up new ways to think about film affect and ontology

Aesthetics · Affect (linguistics) · Art · Boredom · Epistemology · Evocation · Feeling · Literature · Mood · Perception · Phenomenology (philosophy) · Phenomenon · Pleasure · Psychotherapist · Sociology · Cinema and Media Studies · Communication · Digital Games and Media · Mind wandering and attention · Philosophy · Psychology · Social Psychology

  • The Multitude Strikes Back? Boredom in an Age of Semiocapitalism

    Michael E Gardiner, Michael Gardiner•New Formations•2014

  • A Cinema of Boredom

    Open Access•Chiara Quaranta•Film-Philosophy•2020

  • An Ambiguous World of Film

    Open Access•Ludo De Roo•Film-Philosophy•2024

  • In the Mood for Heideggerian Boredom? Film Viewership as Being-in-the-World

    Open Access•Chiara Quaranta•Film-Philosophy•2024

  • Introduction

    Open Access•Robert Sinnerbrink•Film-Philosophy•2024

  • Slow Cinematic Atmosphere

    Open Access•Jakob Boer, Ludo De Roo•Quarterly Review of Film Studies•2025

  • Rethinking the apocalypse

    P Bartoloni, Enea Bianchi•Journal for Cultural Research•2024

  • Film Bodies

    Linda Williams•Film Quarterly•1991

  • Must we mean what we say? 1

    Stanley Cavell•Inquiry•1958

  • Antonioni, or, The Surface of the World

    Seymour Chatman•Antonioni, or, the Surface of the…•1985

  • The Films of Michelangelo Antonioni

    Open Access•Peter Brunette•Films of Michelangelo Antonioni•1998

  • The phenomenon of boredom

    Marion Martins, Gaynor Sadlo et al.•Qualitative Research in Psychology•2006

  • The concept of death inBeing and Time

    Open Access•William Blattner, William D Blattner•Continental Philosophy Review•1994

  • Her Body, Himself

    Carol J Clover•Representations•1987

Unique citing works7
Citations per year0,58
Citation span2014 - 2025 (12)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 6
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