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Many Bodies, Many Voices

Performing Androgyny in Fiona Shaw and Deborah Warner's Richard II

Bibliographic Data

ID4868286
AuthorsElizabeth Klett (corresponding author)
Year2006
Volume58
Issue2
Pages175-194
Publication date2006-05-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTheatre Journal (JOURNAL)
Journal identifiersISSN: 0192-2882 • E-ISSN: 1086-332X
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/tj.2006.0117
OpenAlexW1974910817
LanguageEN
Citations received1
References cited8

This paper analyzes Deborah Warner's controversial 1995-1996 production of Richard II for London's National Theatre, with Irish actress Fiona Shaw in the title role. It explores how the voices of the director and her leading actress, of the highly divided popular press, and of Shakespeare and performance critics have created the many different bodies of Shaw's performance. Her Richard becomes, through these conflicting discourses, a "stereotypical girlie," a homosexual male, an adolescent boy, and a figure entirely devoid of gender identity. The article adds another voice to this mix, arguing that Shaw was androgynous, embodying a wide spectrum of gender identities and challenging the masculine / feminine binary. It insists on the importance of gender to the production, showing how Warner and Shaw asked the audience to read the actor's body as a dynamic dramatic text. The production also created a queer reading of Richard's relationship with Bolingbroke, intervening in the critical and performance tradition to present an androgynous alternative

Aesthetics · Androgyny · Art · Art history · Identity (music · Irish · Masculinity · Performance art · Political science · Psychoanalysis · Queer · Reading (process · Sociology · Gender Studies · Irish and British Studies · Law · Literature Analysis and Criticism · Philosophy · Psychology · Shakespeare, Adaptation, and Literary Criticism

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    Open Access•Liam Miller•Religions•2025

  • Vice versa

    Marjorie B Garber•Vice versa•1996

  • Paradoxes of gender

    Judith Lorber•Paradoxes of gender•1994

  • The King's Two Bodies

    Norman F Cantor, Ernst H Kantorowicz•The American Historical Review•1958

  • Androgyny and Otherness

    Erica Stevens Abbitt•Asian Theatre Journal•2001

  • Gender Trouble

    Judith Butler•Gender Trouble•2011

  • Erotic Politics

    Natasha Korda, Susan Zimmerman•Modern Language Notes•1993

  • Gender impersonation onstage

    Jill Dolan•Women & Performance a journal of…•1985

  • Toward a Phenomenological Model of the Actor's Embodied Modes of Experience

    Phillip B Zarrilli•Theatre Journal•2004

Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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