The Khanenko Museum as Noble Double-wounded
Bibliographic Data
| ID | 4870381 |
|---|---|
| Authors | Anfisa Doroshenko (0000-0003-1841-0406, State Museum of Natural History of the National Academy of Sciences of Ukraine, corresponding author) |
| Year | 2023 |
| Volume | 21 |
| Issue | 2 |
| Pages | 24-27 |
| Publication date | 2023-07-24 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Museum and Society (JOURNAL) |
| Journal identifiers | ISSN: 1479-8360 • E-ISSN: 1479-8360 |
| Publisher | University of Leicester (PUBLISHER • GB) |
| DOI | 10.29311/mas.v21i2.4301 |
| OpenAlex | W4385250440 |
| Language | EN |
| References cited | 1 |
In this article, I consider the Khanenko Museum as noble and double-wounded, a concept that emerges from two trains of thought. The first pertains to the attack on Kyiv on 10 October 2022, which destroyed the Khanenko Museum, famous for owning the largest collection of global art in Ukraine. The second stream of thought is related to theories of wounding as a specific condition, an aesthetic mode, a way of experiencing time and space. These theories allow us to conceive of the grief and pain caused by destruction, but not necessarily to surmount it
Aesthetics · Art · Art history · Grief · Psychotherapist · Body Image and Dysmorphia Studies · Geographies of human-animal interactions · History · Philosophy · Psychology · Visual Culture and Art Theory
| Highly cited | No |
|---|