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Sainte-Beuve between Renaissance and Enlightenment

Bibliographic Data

ID4872003
AuthorsPaul Nelles (corresponding author), Paul Neave Nelles
Year2000
Volume61
Issue3
Pages473
Publication date2000-07-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of the History of Ideas (JOURNAL)
Journal identifiersISSN: 0022-5037 • E-ISSN: 1086-3222
PublisherJSTOR (PUBLISHER)
DOI10.1353/jhi.2000.0029
OpenAlexW2020024024
LanguageEN
Citations received1
References cited2

For a period of eight years in the 1840s Charles-Augustin de Sainte-Beuve held a post of conservateur at the Bibliothèque Mazarine. 1 Each day he traversed the gallery of hommes illustres which decorated the reading room. This held busts of major figures from history and literature. In one of his portraits littéraires from these years Sainte-Beuve pretended to derive inspiration from this legion of intellectual heroes. Among the busts stood one of Gabriel Naudé, Mazarin's first librarian in the 1640s. Sainte-Beuve dreamt, he wrote at the time, of placing Naudé's bust beside that of Charron, or even better, between those of Montaigne and Bayle. Through Naudé, Sainte-Beuve avowed to discover the genius loci of the Bibliothèque Mazarine. Yet whatever local reasons there were for the presence of Naudé's bust at the Mazarine, Sainte-Beuve set out in this essay to find a place for Naudé among the pantheon of French thinkers on his own merits. Such playfulness with a biographical conceit of both the literary and visual arts belied serious purpose. If it fuelled Sainte-Beuve's claim to have found in the seventeenth-century thinker "un sceptique moraliste sous masque d'érudit," 2 it was also expressive of a critical campaign devoted to the revision of a received tradition of French thought and learning. Sainte-Beuve [End Page 473] juxtaposed a seventeenth-century tradition of "literary" skepticism independent of formal philosophy with an Enlightenment inheritance he was eager to disown. Central to this task was a disciplinary turn away from philosophical inquiry and the history of philosophy to literary history. This in turn entailed a full embrace of the shadowy inhabitants of the margins of pre-Enlightenment thought from the late Renaissance to Bayle

Aesthetics · Art · Art history · Enlightenment · Genius · Literature · Period (music) · Portrait · Skepticism · The Renaissance · Theology · Classics · French Literature and Criticism · Historical and Literary Analyses · Historical and Literary Studies · Philosophy · Renaissance Literature and Culture · Rousseau and Enlightenment Thought

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Unique citing works1
Citations per year0,04
Citation span2000 - 2000 (1)
Citation velocityhistorical
Highly citedNo

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