Cinematic Past Lives
Memory, Modernity, and Cinematic Reincarnation in Apichatpong Weerasethakul's Uncle Boonmee Who Can Recall His Past Lives
Bibliographic Data
| ID | 4872047 |
|---|---|
| Authors | Anders Bergstrom (0000-0002-4096-9268, corresponding author) |
| Year | 2015 |
| Volume | 48 |
| Issue | 4 |
| Pages | 1-16 |
| Publication date | 2015-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Mosaic (JOURNAL) |
| Journal identifiers | ISSN: 0027-1276 • E-ISSN: 1925-5683 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/mos.2015.0046 |
| OpenAlex | W2201881103 |
| Language | EN |
| Citations received | 4 |
| References cited | 8 |
Considering the way that cinema functions as memory, this essay suggests a comparison between the spiritual functions of memory and cinema's role in modernity. Uncle Boonmee Who Can Recall His Past Lives illuminates cinema's link to the preservation of human memory through its exploration of reincarnation
Aesthetics · Art · Cognitive psychology · Cultural memory · Epistemology · Historical memory · Humanities · Literature · Modernity · Movie theater · Recall · Reincarnation · Sociology · Anthropological Studies and Insights · Anthropology · Cinema and Media Studies · Philosophy · Psychology · South Asian Cinema and Culture
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,4 |
| Citation span | 2016 - 2024 (9) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 3 |