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Crowds in Nineteenth-Century Fiction and Historical Writing

Bibliographic Data

ID4874523
AuthorsAlan Palmer (0000-0002-1305-8434, Lake Erie College), Alan Warwick Palmer (0000-0003-1795-6554, Lake Erie College), Adam Stier (Lake Erie College)
Year2017
Volume38
Issue3
Pages549-568
Publication date2017-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePoetics Today (JOURNAL)
Journal identifiersISSN: 0333-5372 • E-ISSN: 1527-5507
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/03335372-4166698
OpenAlexW2755666663
LanguageEN
References cited7

An internalist perspective on the mind stresses those aspects that are inner, introspective, private, solitary, individual, psychological, mysterious, and detached. An externalist perspective stresses those aspects that are outer, active, public, social, behavioral, evident, embodied, and engaged. This article uses the term social mind to describe those aspects of the whole mind that are revealed through the externalist perspective. It applies the concept of a social mind to descriptions of crowd behavior in Walter Scott's Heart of Midlothian, Thomas Macaulay's History of England, and Charles Dickens's Barnaby Rudge. In particular, it examines the behavior of crowds as a whole, individuals (especially leaders), and subgroups in terms of the key notions of agency, moral responsibility, organization, and action. Finally, it places this debate within the context of nineteenth-century historiography to explore potential differences between fictional and historiographical treatments of crowds. It concludes that, while histories tend to be pragmatically inclined to treat crowds as social minds, the distinctive affordances of fiction allowed nineteenth-century novelists to be more flexible and to choose either to treat crowds as social minds where appropriate or, as Dickens did in Barnaby Rudge, to complicate or undermine this notion

Aesthetics · Affordance · Art · Cognitive psychology · Crowds · Embodied cognition · Epistemology · Externalism · Foreknowledge · Historiography · Sociology · Sympathy · Visual arts · Foucault, Power, and Ethics · History · Humor Studies and Applications · Language, Metaphor, and Cognition · Philosophy · Psychology · Social Psychology

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    Open Access•C Borch•Politics of Crowds•2012

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    Gustave Le Bon•1908

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Citation velocityhistorical
Highly citedNo

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