Afterword

How should we think about war today? This afterword assesses the impact of using a temporal lens to understand contemporary conflict. Reflecting upon my own work on media and war alongside wider societal relationships to violence, I consider the ways in which new technologies and styles of warfighting change both our view of time and our understanding of war itself. In particular, I show how a shift from space to time helps focus attention on the personal and lived experience of US war, on the importance of routines both in constituting and obscuring wartime, on how many issues of contemporary war have become a matter of digitized perspective, and finally how emergent technologies have unsettled familiar temporal patterns of conflict. War today is media-drenched but struggles to occupy our attention over sustained periods. It remains an epochal political force that we tend to approach through deeply individualized, microcosmic stories. It proceeds at breakneck pace but rarely gets anywhere. These questions and tensions underline the importance of focusing not only on the resolutely temporal aspects of wartime, but also on the way in which shifts in time are changing the very nature and politics of war in the 21st century

Aesthetics · Art · Geography · Media studies · Pace · Perspective (graphical) · Political economy · Political science · Politics · Sociology · Spanish Civil War · Visual arts · European and Russian Geopolitical Military Strategies · Law · Media, Religion, Digital Communication · Violence, Religion, and Philosophy