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Sympathetic Graffiti in Haiti

Jerry's Murals as a Scene of Pedagogical Curiosity

Bibliographic Data

ID4878299
AuthorsChelsey L Kivland (corresponding author)
Year2017
Volume21
Issue2
Pages22-43
Publication date2017-07-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSmall Axe A Caribbean Journal of Criticism (JOURNAL)
Journal identifiersISSN: 1534-6714 • E-ISSN: 0799-0537
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/07990537-4156750
OpenAlexW2731183666
LanguageEN
Citations received1
References cited12

Since 2010, "Jerry" has become Haiti's most prominent graffiti artist. Dealing with the most sensitive issues of the day-disaster, insecurity, illiteracy, aid dependency, corruption, and poverty-he has canvassed Port-au-Prince and other cities with murals that invite compassion for his subjects and collective recognition of difficult social realities. This essay argues that the artistic modality and political sensibility displayed in Jerry's graffiti can be productively read as participating in a form of "sympathetic education." Jerry sees the urban landscape as a classroom in which sympathy can be taught and his graffiti murals as instructive of a broader and more engaged public. By casting Jerry's oeuvre as a form of sympathetic education that draws on Haitian strategies for bringing people into affective and social accord, this essay elucidates his distinct style of graffiti and offers it as a model for public art

Aesthetics · Art · Graffiti · Media studies · Political science · Politics · Sensibility · Sociology · Sympathy · Visual arts · Caribbean and African Literature and Culture · Children's Rights and Participation · Law · Psychology · Public Spaces through Art · Social Psychology

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    Open Access•María Alonso Alonso•The Journal of Commonwealth…•2020

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    Open Access•Diana Paton, Maarit Forde•Obeah and Other Powers•2012

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Unique citing works1
Citations per year0,08
Citation span2014 - 2014 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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