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Art Work and Modernity

The Legacy of Georg Lukacs

Bibliographic Data

ID4879817
AuthorsPeter Uwe Hohendahl (corresponding author)
Year1987
Issue42
Pages33
Publication date1987-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNew German Critique (JOURNAL)
Journal identifiersISSN: 0094-033X • E-ISSN: 1558-1462
PublisherJSTOR (PUBLISHER)
DOI10.2307/488255
OpenAlexW2315764044
LanguageEN
Citations received3

The debate between Georg Luktcs and the Frankfurt School after World War II did not occur in a climate of mutual understanding. Even before they left Germany in 1933 LukAcs emigrating to the Soviet Union and the members of the Frankfurt School mostly to the United States there were theoretical differences and disagreements on major political issues; after 1945, especially after the political division of Germany, there was even less of a basis for fruitful discussion. While Lukics became the most influential spokesman of orthodox Marxism in Hungary and East Germany (whether this role was an appropriate one is another matter), the members of the Frankfurt School, particularly Horkheimer and Adorno, moved far away from the Marxist premises of their early work, no longer sharing many assumptions with the Hungarian critic. At least this is what each side felt about the other when they looked at the work of their respective opponents. We remember Lukics's remark about the Hotel Abyss into which the members of the Frankfurt School had settled all too com

Epistemology · Modernity · Physics · Thermodynamics · Work (physics) · Art, Politics, and Modernism · Philosophy

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Unique citing works3
Citations per year0,75
Citation span2022 - 2023 (2)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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