Authenticity as authentication
Dados Bibliográficos
| ID | 4880975 |
|---|---|
| Autores | Allan Moore (0000-0002-3202-0079, autor correspondente) |
| Ano | 2002 |
| Volume | 21 |
| Fascículo | 2 |
| Páginas | 209-223 |
| Data de publicação | 2002-05-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Popular Music (JOURNAL) |
| Identificadores do periódico | ISSN: 0261-1430 • E-ISSN: 1474-0095 |
| Editora | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0261143002002131 |
| OpenAlex | W2160380483 |
| Idioma | EN |
| Citações recebidas | 160 |
| Referências citadas | 5 |
This article argues for the prematurity of any dismissal of the notion of authenticity as meaningful within popular music discourse. It synthesises a range of views as to how authenticity is constructed, and offers a tri-partite typology dependent on asking who, rather than what, is being authenticated. It focuses on rock and folk genres, but also argues that the generic nature of the typology makes it applicable to any other genre wherein listeners are concerned to ask whether a musical utterance can be construed as sincere
Aesthetics · Art · Dismissal · Epistemology · Linguistics · Literature · Musical · Political science · Sociology · Typology · Utterance · Diverse Musicological Studies · Law · Music History and Culture · Philosophy · Rhetoric and Communication Studies
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| Obras citantes distintas | 160 |
|---|---|
| Citações por ano | 7,27 |
| Intervalo de citações | 2004 - 2026 (23) |
| Velocidade de citação | current |
| Altamente citado | Sim |
| Tipos de citação | Neutras: 153 |