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Architecture of Sensation

Affect, Motility and the Oculomotor

Bibliographic Data

ID4881393
AuthorsMark Paterson (0000-0003-2701-4827, University of Pittsburgh, corresponding author)
Year2017
Volume23
Issue1
Pages3-35
Publication date2017-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueBody & Society (JOURNAL)
Journal identifiersISSN: 1357-034X • E-ISSN: 1460-3632
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/1357034x16662324
OpenAlexW2521106895
LanguageEN
Citations received9
References cited31

Recent social theory that stresses the 'nonrepresentational', the 'more-than visual', and the relationship between affect and sensation have tended to assume some kind of break or rupture from historical antecedents. Especially since the contributions of Crary and Jay in the 1990s, when it comes to perceiving the built environment the complexities of sensation have been partially obscured by the dominance of a static model of vision as the principal organizing modality. This article returns to some prior historical articulations of the significance of motility in perception, retracing pathways across art history, architectural theory and the history of neuroscience to argue for an alternative model based on the movement of the eye. Along with subsystems that deal with balance and orientation, I offer parallels between spatial motifs of the interior spaces of the body - labyrinths, vestibules, chambers - and those in artefacts and the built environment that contribute to the heightened physicality of the oculomotor subject

Aesthetics · Architectural theory · Art · Cognitive psychology · Cognitive science · Parallels · Perception · Sensation · Sociology · Visual arts · Aesthetic Perception and Analysis · Engineering · Multisensory perception and integration · Neuroscience · Psychology · Visual Culture and Art Theory · Architecture

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Unique citing works9
Citations per year1
Citation span2017 - 2023 (7)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 9

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